If you’re shooting professionally there should always be a contractual agreement outlining what you and your client expects and how much it is going to cost them.
If you are not doing this you are not professional and leave yourself open to all sorts of trouble.
Even if you are shooting for free, you should still have a contractual agreement.
I use three screens. Two calibrated, with different black levels and a third adjusted by eye. If an image looks good/ok on all three then I’m happy it’s fine for the web.
Now if it’s for printing then that’s a whole other ball game. As well as RGB I sometimes have to output work in CYMK.
Is your work destined for screen or print? Either way I hope you are using DisplayPort interfaces and not HDMI.
🤔Are you looking at them on a calibrated monitor?
Search how dodge and burn got their names. It’ll blow your mind.😁
L 70-200mm f2.8 IS. MkII. It’s a hell of a lens.
If your equipment will let you in whatever light you are shooting, try a smaller aperture. F8 -f11.
Is this a paid job?
Not YT, but a podcast. ‘Lenswork’
Absolutely this. It’s a must!
When there’s big blue lines in your t-shirt photo that’s the Moire.
I’m so sorry, I couldn’t resist.🙄
Have you actually worked out how much you would make.😁 It’s not worth doing.
Kodak Box Brownie, shall I go on? It’s a long story. 👴 I actually still have it and it’s loaded and ready to go. It doesn’t come out often, but still works fine.
Lucky escape buy the sounds of your update 😱
Try it and see. Worst case you won’t get any usable pictures, hopefully you’ll get a few. I suggest converting any good ones to black and white and I bet no one will be the wiser.
It won’t cost you anything, so give it go
One of your other posts (1) year old was asking how to start a business. Did you ever get around to it?
If you can, seriously think about a business and marketing course. The months spent doing this will really pay out later.
On average a new company loses money the first year, can break even year two, three and starts to profit year four.
You should be comfortable that you can run for at least three years without turning a profit.
The fact your wife has said she is happy and supports the idea is wonderful. I suggest you sit down and work out the costs involved in running your business for at least three years.
Going full time pro involves, registering the business, doing accounts, marketing, website management, personal liability insurance, gear insurance, different vehicle insurance for professional use and occasionally a little bit of photography.
Be prepared to work twice as many hours than your previous day job plus weekends. In my experience, there is nothing more rewarding than working for yourself. If you both go in to this with your eyes open you’ll be able to make a living from your photography.
All the best to you. Good luck in your venture.
Get it serviced at an official service center. You will find out what exactly, if any, thing is wrong with it