I shoot tons of concerts at a wide variety of venues, and while plenty of folks will assert some universal rules, there aren’t any beyond “frame your shot and shoot”. My shutter speed (and ISO) fluctuates depending on the act, the lighting, the venue, and the shot I’m targeting (e.g., shutter drags, zooms, etc.).
Generally, though, I’ve found the following to be a helpful baseline: (1) ISO maxed at 6400 with larger sensor, 2500 with most APS-C sensors (esp. older cameras), (2) if you have IBS or lens stabilization, can go with lower shutter speeds, otherwise stick closer to 1/200 as best as possible and if it’s a well-lit show, climb to 1/500, (3) shoot wide open as much as you can (at least 2.8) (4) if ready for it, shoot all manual for the camera but autofocus for the lens so you can rapidly control shutter speed and ISO independently, and (5) if you’re not being paid, make sure you fuck around and have fun. If you are being paid and they like the playfulness, well the , by all means, have a blast!
I shoot tons of concerts at a wide variety of venues, and while plenty of folks will assert some universal rules, there aren’t any beyond “frame your shot and shoot”. My shutter speed (and ISO) fluctuates depending on the act, the lighting, the venue, and the shot I’m targeting (e.g., shutter drags, zooms, etc.).
Generally, though, I’ve found the following to be a helpful baseline: (1) ISO maxed at 6400 with larger sensor, 2500 with most APS-C sensors (esp. older cameras), (2) if you have IBS or lens stabilization, can go with lower shutter speeds, otherwise stick closer to 1/200 as best as possible and if it’s a well-lit show, climb to 1/500, (3) shoot wide open as much as you can (at least 2.8) (4) if ready for it, shoot all manual for the camera but autofocus for the lens so you can rapidly control shutter speed and ISO independently, and (5) if you’re not being paid, make sure you fuck around and have fun. If you are being paid and they like the playfulness, well the , by all means, have a blast!